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Roots. Wounds. Words. Inc.
3d Space by RWW
Writers' Retreat
2025 Winter Writers' Retreat
2025 Faculty—Winter
2024 Fellows—Autumn
2024 Faculty—Autumn
2024 Fellows—Winter
2024 Faculty—Winter
2023 Fellows
2023 Faculty
2022 Fellows
2022 Faculty
Workshops
Publications
Our Anthologies
The Rumpus
Raising Mothers
Programs
Words of Resistance
Overview
Masters of Craft Talks
Writing Workshops
Penning My Pieces
COUNTERpult
RWW On The Outside
Get Involved
Support
Volunteer
Join RWW
Partners & Sponsors
Contact Us
Our Story
Testimonials
Our History
Leadership Team
Board of Directors
3d Space by RWW
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2025 Winter Writers' Retreat
2025 Faculty—Winter
2024 Fellows—Autumn
2024 Faculty—Autumn
2024 Fellows—Winter
2024 Faculty—Winter
2023 Fellows
2023 Faculty
2022 Fellows
2022 Faculty
Workshops
Folder: Publications
Back
Our Anthologies
The Rumpus
Raising Mothers
Folder: Programs
Back
Words of Resistance
Overview
Masters of Craft Talks
Writing Workshops
Penning My Pieces
COUNTERpult
RWW On The Outside
Folder: Get Involved
Back
Support
Volunteer
Join RWW
Partners & Sponsors
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Folder: Our Story
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Workshops Research as Writerly Practice–and as a Portal to the Page Led By Lauren Markham
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Research as Writerly Practice–and as a Portal to the Page Led By Lauren Markham

$50.00
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Saturday, September 10th, 2022 | 1 PM ET - 4 PM ET

Tuition | $50.00

Capacity: 20 Storytellers

The myth of artistic genius often suggests that inspiration is mainlined from the heavens, and that one's own imagination is the only creative source there is. And yet whether we're writing poetry or prose, it's often an inquiry into the world around and outside of us that serves as the most potent inspiration, and that lends itself to more complex, powerful work on the page. How can research--be it archival research, in-person reporting, oral history interviews, or delving into primary sources of our own lives and family--be a generative practice, serving as a portal to the written word? In this cross-genre craft class, we'll look at examples of luminous poetry and prose that emerges from deep and curious research, to figure out how plain facts can be rendered richly and beautifully; we will also consider how to incorporate rich factual inquiry into our own creative projects. Participants will come away from the class with a deepened appreciation for the research process and practice, a better sense of how to turn fact into poetry or prose, and with a research plan for a current or future creative project.

ABOUT THE FACULTY: Lauren Markham is a fiction writer, essayist and journalist based in California whose work has appeared in outlets such as Guernica, Harper's, Orion, Freeman's, Lithub, Best American Travel Writing, The New Republic, Narrative, The New York Review of Books, The New York Times and VQR, where she is a contributing editor. Lauren is the author of The Far Away Brothers: Two Young Migrants and the Making of an American Life, which was awarded the Northern California Book Award, The California Book Award Silver Medal, and the Ridenhour Prize. She teaches in the MFA programs at Ashland University and the University of San Francisco.

Partial and full scholarships are available. Email scholarship inquiries to Info@RootsWoundsWords.org. Explicitly state the scholarship (partial or full) you’re interested in.

Closed Captioning available. Like all RWW offerings, this space is for Black, Indigenous, Latinx/e, Asian, and other Storytellers of Color only. BIPOC Storytellers are centered here, exclusively.

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Roots. Wounds. Words. Inc. is a 501(c)(3) nonprofit organization supported by storytellers of color, individual stakeholders, and institutional partners including Amazon Literary Partnership, Astrea Lesbian Foundation, Brooklyn Arts Council, Carnegie Hall, Community of Literary Magazines and Presses, Kitchen Table Arts, and more. Copyright © 2020. All rights reserved.

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